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Top Theatrical Experiences in 2014

28 Sunday Dec 2014

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It’s the time of year again for reflection. One of the things that means the most to me year after year is the theatre I see. This year was exceptional. I struggled to come up with my top ten theatrical experiences of the year because I was fortunate enough to see many great shows in London, New York City and the DC area. Here are my favorites:

Miss Saigon – West End

I had been eager to see Miss Saigon in the West End since the original run. My parents still argue I was too young when the opportunity originally arose (but I continue to disagree). However, it was worth the wait to be able to see this production with fresh eyes. The cast is incredible. The beautiful music remains (with some slight alterations), and I thought the set was brilliant. It’s a must-see if you are in London.

Les Miserables – West End

There is nothing like seeing my favorite show on the West End, and nothing beats the original incarnation of this masterpiece. I was particularly thrilled to see a John Valjean I know from the States, Peter Lockyer, the last two times I caught the show abroad. I find that anyone who plays Jean Valjean then steps away and comes back to the role has a perspective that can only be gained with time. The whole London ensemble is phenomenal, and the experience of this now-classic musical is a grand event worth repeating.

Les Miserables – Broadway

Surprisingly, I had never seen Les Mis on Broadway until previews began this past March. I was lucky to have a front row seat to the first performance of the new revival, and the energy of the audience that night was like nothing I had never experienced before at the theatre. Ramin Karimloo was an outstanding choice to lead the cast, and I’m fairly positive Jean Valjean has never looked so sexy (sorry Hugh Jackman!). I hope to be able to return to this production very soon.

Side Show – Kennedy Center (DC) and Broadway

Before Side Show made its return to Broadway, it had a run this past summer at the Kennedy Center in DC. To say I saw it a few times would be an understatement. I think many of us can relate to a show that highlights our inner needs of acceptance and love as well as a sense of belonging. If the end of Act 1 doesn’t hook you, the 11 o’clock duet by the fantastic Emily Padgett and Erin Davie will. I am thankful to have seen this show again when it hit the Great White Way, and I will be sorry to “say goodbye to the Side Show” in only a few days.

Jason Robert Brown’s Artist-in-Residence Launch Concert – SubCulture, New York City

Considering that this special one-night-only concert featured songs and original cast members from all of Jason Robert Brown’s shows, I am counting it amongst this group. This concert was one of the best I’ve ever been to, but this is coming from a longtime, dedicated JRB fan who wouldn’t have wanted to be anywhere else in NYC when this concert was going on. The show JRB personally curated included songs from The Last Five Years, 13, Urban Cowboy, The Bridges of Madison County, Honeymoon in Vegas, Parade and Songs of a New World.

Dogfight – Southwark Playhouse, London

Sadly, I missed Dogfight’s premiere in New York City, but I was overjoyed to learn that I would be able to catch its London premiere just before it closed this past September. I’d seen a show earlier this year for the first time at Southwark Playhouse, and Southwark Playhouse is quickly becoming one of my favorite theatres to visit when in London. This intimate venue produced an excellent cast and presented an unforgettable, touching production of Dogfight. The performance has stayed with me for the past few months, and I sincerely hope that I can see another production of this poignant Pasek and Paul musical soon (though I wonder if anything will top the Southwark Playhouse production).

Urinetown – St. James Theatre, London

I didn’t quite know what to expect when I got a ticket to see Urinetown in London. I had heard of the show, but to be honest, the name did not make the show sound appealing to me. This dark musical comedy won me over rather quickly between its gifted cast, intriguing story, awesome set and amusing music. I was not surprised when the show received a West End transfer, and my only regret is that I could not make it back to London to catch it on the West End as well.

Here Lies Love – Public Theatre, New York City

For one reason or another, I kept putting off seeing Here Lies Love in New York. I didn’t know what (or who) the show was about, so while I continually heard how good it was, it took a while for the feedback to resonate. This intimate, hands-on musical was one of the most interesting, original theatrical experiences of my life so far. The music is catchy and moving, and the true story the show is based on is compelling to watch. Although this show will be missed in the city, it’s wonderful that Here Lies Love has had a life beyond its original run at the Public.

Ordinary Days – Round House Theatre, Bethesda, MD

I first learned of Ordinary Days through a special concert at Signature Theatre, and after relating heavily to some of the characters as I completed graduate school (and worked full-time), I could not wait for the chance to finally see the show. Round House’s production did not disappoint as the musical was cast superbly, and Matthew Gardiner’s direction was ideal (as usual). Even though this musical captures the feelings of four characters during a specific moment in time, the message continues to ring true.

Gypsy/Sunday in the Park with George – Signature Theatre, Arlington, VA

This list would be incomplete without a Signature Theatre musical. I am highlighting two Signature shows since I saw both this year, but Gypsy opened in 2013 technically. Nonetheless, Signature’s amazing production of Gypsy, starring the sensational Maria Rizzo and Sherri L. Edelen as Gypsy Rose Lee and Momma Rose respectively, has stayed with me all this time. Likewise, Sunday in the Park with George was a stunning show to kick-off the theatre’s 2014-2015 season. Though all of the elements of the show came together spectacularly, for me, the best part was the two leads, Claybourne Elder (George) and Brynn O’Malley (Dot). Plus, I suspect any art lover, like myself, will appreciate Sunday’s music and meaning.

I am thrilled to see what 2015 brings. Happy New Year!

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The Heat Is On In the West End

27 Saturday Sep 2014

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London’s West End provides some of the greatest theatre in the world, and Cameron Mackintosh knows the way to my heart since he is the producer behind my top two shows in London’s West End at the moment: Miss Saigon and Les Miserables. I was particularly eager for my latest London holiday because I would finally be seeing Miss Saigon in London!

Miss Saigon did not disappoint. Eva Noblezada was the perfect choice for Kim. She’s young and ferociously talented. Her performance brought me to tears throughout the entire show.

Meanwhile, I had a gut feeling that Cameron Mackintosh would cast a past Marius (in Les Miserables) as Chris, and his choice could not have been better. I saw Alistair Brammer in Les Miserables and War Horse previously, and while those performances were wonderful, his performance as Chris takes his career to the next level. His voice sounds stunning during “Why God Why”.

Then, there’s Hugh Maynard, who takes the powerful Act 2 opener, “Bui Doi” to new heights. His beautiful voice ensures this song will be a hit with the audience at every show. I cannot wait to gets my hands on the new album and listen to this song repeatedly.

The rest of the cast was well selected too. Rachelle Ann Go gives a standout performance as Gigi, as does Kwang-Ho Hong as Thuy. The entire ensemble helps the harsh circumstances at the end of the Vietnam War hit home during “Kim’s Nightmare”, my favorite part of the show.

Beyond the cast, Miss Saigon boasts an elaborate set, a grand orchestra, intense lighting and sound effects, and an epic score. The story is so momentous that it’s no surprise this musical attracts tourists from all over the world. I will definitely be back the next time I’m in London.

Another performance I loved in London? Les Miserables. I’ve the seen the show over 70 times, and the West End performances hold a special place in my heart. The current Jean Valjean, Peter Lockyer, performed in the US tour recently as well, so after catching two shows in London, I’ve seen him 19 times in the role. His performance is one of the best I’ve seen. Notably, Jean Valjeans who have returned to the role after involvement in previous or other productions seem to bring a deeper understanding to the character. Other top Jean Valjean performances I’ve seen include Les Mis veterans J. Mark McVey and Ramin Karimloo, who is currently starring in the role on Broadway. I love seeing debuts in Les Miserables in the West End, and the current cast features many West End debuts. Rob Houchen, the Marius in the current West End cast is superb, and I love Carrie Hope Fletcher’s Eponine (she made her adult performance debut in Les Miserables after starring in several productions when she was younger).

Moreover, the crowds adore Les Mis in London, and the show continually sells out despite almost 30 years on the West End. Amazing! There’s noting like listening to “Do You Hear the People Sing?” in the magnificent Queen’s Theatre to make your day a little more magical. If you’ve never seen Les Mis in the West End, you’re missing out on an incredible performance.

The Time Is Now

02 Sunday Mar 2014

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Since several people have been asking me about the first preview of Les Miserables, I thought I would try to put into words last night’s experience. To say I was eagerly anticipating this moment doesn’t really cover it. I first saw Les Mis 21 years ago, and I’ve been a devoted fan since I was five. Despite having seen the show 59 times over more than 20 years, last night, my 60th, was the first time I had the good fortune of seeing Les Mis on Broadway.

After getting to the theatre extremely early to take in every moment of the experience, I ended up being the first patron in the Imperial to see the new production. Once many of the seats were filled, I noticed a few familiar faces in the back, including Cameron Mackintosh and Claude-Michel Schonberg. Thankfully, they were very generous with the show’s fans, and I, like so many others, cherished the opportunity to meet the men behind my favorite musical. Another incredible surprise: a front row seat. I thought I was second row, but some adjustments to the theatre’s layout worked to my benefit last night.

As the “Prologue” began, the crowd roared with applause. This was a frequent occurrence all evening, particularly after key songs, cast entrances, and set reveals. Every person in the theatre last night was thrilled to be there. I’ve never been a part of such an energetic, attentive, and encouraging audience.

As for the cast, Ramin Karimloo didn’t miss a beat. Having seen him several times before, including as Jean Valjean in Toronto, I knew what he could do. With each performance, his take on the character grows. I am convinced he’ll be a contender for the Best Actor in a Musical Tony Award, and he already has my vote (not that it counts!). Interestingly, four years ago I saw him in Love Never Dies, and while he was superb, only two people, including myself, waited for him at the stage door. Let’s just say that will not be the case on Broadway. Even if you don’t know who he is now, you won’t forget him after hearing his beautiful renditions of “What Have I Done”, “Who Am I”, and “Bring Him Home”.

Some people were surprised to learn Will Swenson would be Javert on Broadway, but I was not one of them. I was convinced he was an excellent choice, and he proved himself to be more than worthy last night. This may not be the “Stars” you’re used to, but the show has been thriving for nearly three decades, and his fresh take on the character is enticing. I was lucky to be almost in the action for many of Jean Valjean’s and Javert’s interactions, and his expressions were brilliant. This is a great role for Swenson, who is better known for more contemporary musicals. I wouldn’t be surprised if he scores a Tony nomination.

Then, there’s Caissie Levy as Fantine. What a voice she has! Her facial expressions throughout her short performance were touching. Moreover, Levy and Samantha Hill (Cosette) may be the closest to looking like a real Mother-Daughter duo that I’ve ever seen. I recall thinking that she may just be able to snag Best Supporting Actress in a Musical.

Additionally, I was thrilled to see Andy Mientus as Marius. For such a talented performer, it’s about time he graces The Great White Way. While I think he has room to grow in this role, I thoroughly enjoyed his performance. Marius is an incredibly important character to me. There is a very detailed chapter in the book regarding this character, and I feel like Mientus captured what Hugo envisioned. His performance conveyed Marius’s struggle between the love of his life and his loyalty to his friends. Moreover, his performance developed as the show went on, and I imagine he will win over more than Cosette’s and Eponine’s heart as the run progresses. There was one key change I noticed to his character, in terms of direction, and I loved it. Don’t worry, I won’t spoil it, but I suspect other fans will notice the change as long as it’s kept in the show.

As for the rest of the cast, I am impressed. Having seen many of them before on tour or in Toronto, I knew I would be. I went in with high expectations and was not disappointed. Samantha Hill’s Cosette was lovely, and Keala Settle’s Madame Thenardier was the perfect mixture of a villain and comedian. The children were well suited for their roles and certainly charmed the audience. I was particularly pleased to see Betsy Morgan in the show again, and I loved that she played the Factory Girl taunting Fantine after a well-received run as Fantine on tour. Other familiar faces from the recent national tour include Jason Forbach, John Rapson, Nathaniel Hackman, Max Quinlan, Erin Clemons, and Aaron Walpole along with swings Ben Gunderson, Rachel Rincione, John Brink, and Weston Wells Olson. If you have an understudy, don’t fret because the supporting cast and swings are more than qualified to fill the big shoes of the leads.

Clearly, Les Miserables is a story that has staying power. So, why does the show evolve? I’m not sure, but I trust the producers and creatives because whatever they’re doing has kept the show alive this long. Are there new lyrics? Yes, well, if you didn’t catch the recent incarnation in Toronto, yes. Is that staging different? It’s mostly what you would have seen on the recent tour, but some of the set and directions have been adapted to better fit the Imperial Theatre and cast. Is the show better than the movie? Do I have to answer this? Live theatre has no comparison to film.

The musical is epic, and its’ themes of love, hope, and redemption have connected with audiences all over the world. Last night, I saw Les Mis for the 60th time, and I suspect no performance will ever compare. Finally back on Broadway, I had the opportunity to watch the first performance of this new version with many other devoted fans and the people who made the show what it is today. Even though I already had seven more tickets to see Les Mis, both on Broadway and in the West End, I immediately bought two more tickets to this new production as soon as I got home. I doubt this show is going anywhere anytime soon, and as a “superfan”, I am grateful. The new production soars, especially with one of the strongest Jean Valjeans I have ever seen.

Do You Hear the People Sing?

22 Tuesday Oct 2013

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For those that know me or follow this blog, you know that Les Miserables is important to me. Okay, very important to me. My relationship with the show started over twenty years ago, and through the show, I’ve learned about life, love, pain, talent, and theatre (amongst other things). Needless to say, I’ve been eagerly awaiting today’s casting announcement.

Ramin Karimloo (Jean Valjean): I was rooting for him to be Jean Valjean on Broadway. I’ve seen him in various musicals, including as JVJ in Les Mis. He has a beautiful voice that eloquently brings to life the music. He is a skilled actor too. I also hoped he’d be JVJ because JVJs improve with age and time. Revisiting the material and performing the show over a period of time tends to lead to a better and better performances. I am excited to see the further evolution of his portrayal of JVJ.

Will Swenson (Javert): Many find this choice particularly unexpected. However, he has an extensive career in theatre and major vocal chops. I’ve never seen him perform a role like this so that will be a new experience. I’m not sure how it will compare to some of the legendary Jean Valjeans I’ve seen in the past, including Earl Carpenter and Andrew Varela. It’s a character that has been interpreted very differently over the years, and I expect he will have a unique take on the role. I’m excited to get a new perspective on this character.

Caissie Levy (Fantine): Some find this choice odd too. Every time I see Caissie live, she impresses me. She has a show-stopping voice, so I look forward to experiencing her rendition of “I Dreamed a Dream”. Again, I have never seen her in a role like this, but I think she’s ready. I’ve been fortunate enough to see some incredible interpretations of this characters, and despite hoping for an opportunity to see some of those interpretations repeated, I’m eager to see her take on this character’s struggle.

Nikki M. James (Eponine): Again, this choice seems to be surprising to people. Not to me. I expected the casting powers at be to choose someone for this role who was very different from the original interpretation. “On My Own” has perhaps brought in the most fans to Les Mis over the years. The song certainly got me hooked when I was five. Nikki M. James won a Tony for Book of Mormon in part thanks to show-stopping numbers like “Sal Tlay Ka Siti” and “Hasa Diga Eebowai” (Reprise), and consequently, I have reason to believe that she will make the anthem-like “On My Own” a memorable show-stopping moment too. She’s become a familiar face on Broadway. Although I would have love to seen a fresh, unknown actress cast in this role, I do want to see this show stick around on Broadway for a while, which likely means casting established actors, at least for now.

To know exactly what these performers will bring to Les Mis, we’ll have to wait until March of 2014 to see, but I know I will be there, supporting the “people” as I have so many times before.